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His work—whether built, written, or photographed—exists at the intersection of structure and dissolution, of knowing and unknowing. He is drawn to landscapes, not just in their physicality but in their erosion, their memory, their resistance to fixed meaning. His architecture seeks integration rather than imposition, resisting certainty while searching for something essential.
Mifsud studied architecture at the University of Malta, graduating in 2021, and is a lead architect at EBEJER BONNICI, where he has designed a stone tower, rural dwellings, and residences in Baja California Sur, Mexico. His approach balances monumentality with intimacy. His set design for Valeriana: Titan’s Rock (2024), realized within the studio’s creative practice, was an exercise in sculpting ephemeral space—temporary but monumental.
In 2024 he formed part of the creative team for URNA, the Maltese Pavilion for the London Design biennale 2025. Together with various artists, curators and architects he is realizing a new vision for rituals surrounding the body after death in Malta.
Beyond architecture, he is a writer and photographer drawn to memory, identity, and impermanence. His imagery moves between the autobiographical and the imagined, distilling obsessions, distant landscapes, and existential weight into something that feels both intimate and mythic. He does not seek resolution—only a deeper understanding of what it means to exist, to erode, to be remembered and forgotten all at once.
Creation is not an act of permanence but of engagement. There are no fixed positions—only the search, the shifting ground, the unanswered question. His work is an ongoing dialogue with time, space, and the fleeting nature of being.
For prints, collaborations or further information, get in touch here.